Brush It Off
May 27, 2025
In a world overflowing with noise, distraction, and quiet heartbreak, it’s easy to forget the simple, powerful things that still live inside us. One of them doesn’t need words — just pigment, presence, and the willingness to begin. Painting, when it’s honest, isn’t about replicating reality or chasing perfection. It’s something deeper. It’s a release. An act of turning ourselves inside out.
Real painting feels almost like magic — or maybe something older than magic. Every brushstroke carries energy. Every mark is a thought made visible. Without even realizing it, we pour the tangled, heavy parts of ourselves onto the canvas. And somehow, in doing that, we start to let them go.
It’s not always dramatic. Sometimes it's quiet — like breathing. Other times it’s messy, chaotic, even confrontational. But no matter how it shows up, painting becomes a kind of ritual. The canvas turns into a place we can speak without speaking — a space where grief, frustration, confusion, even joy, can move through us and take shape.
We all carry things — losses we’ve never named, fears we’ve learned to hide, disappointments we’ve stopped talking about. Most of it stays buried. But when we paint, even abstractly, something in us opens. The colors we choose, the gestures we make — they become a kind of emotional fingerprint. And without needing to explain anything, we say everything.
And it’s not just about letting things out. It’s also about imagining something new. Painting allows us to build a world that doesn’t have to follow the rules. We can create beauty out of pain, clarity out of chaos. In that way, every painting is a quiet act of hope — a declaration that something meaningful can still come from all of this.
And then there’s the amplification. Painting doesn’t just express what we feel — it heightens it. Our sadness becomes thunder, our joy becomes light. What starts off personal becomes something bigger, something others can feel too. That’s part of the magic — how private emotion can echo in someone else’s heart.
Even the phrase “brush it off” takes on new meaning here. It’s not about ignoring or suppressing. It’s about quite literally brushing it out — letting the canvas hold what we can’t anymore. Not to escape the weight, but to move through it. To engage with it in a way that’s physical, creative, and healing.
Painting doesn’t solve everything. But it gives us a place to put the things we can’t carry alone. It becomes a mirror, a map, sometimes a megaphone. It helps us make sense of what’s inside — or at least make peace with it.
So pick up the brush. Not to be impressive. Not to get it right. Just to feel. To move. To let something out that’s been waiting too long.
Because painting isn’t just art.
It’s release. It’s resistance. It’s rebirth.
And sometimes, the best way to survive this life is to brush it off — one stroke at a time.
The Christopher Mudgett archive collection is the only one in the world to present the artist’s up-to-date painted, sculpted, engraved and illustrated œuvre and a precise record—through sketches, studies, drafts, notebooks, photos, books, films and documents—of the creative process.

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