Deeper Dimension
August 5, 2025
Painting is never just what appears on the surface; a canvas, while seemingly still and silent, holds within it a weight of intention, emotion, and invisible labor that lives beneath each stroke. It is easy to see color, line, and form, but far more elusive is the deeper dimension, the layered complexity breathed into it through the hand and mind of the artist.
A canvas worked over time, one that has been touched and retouched, buried beneath revisions, moments of doubt, impulses, and resolution, carries a certain quiet intensity, as if the very pigment remembers the process. It holds the energy of standing back and coming close again, of scraping away and starting over, of moments when nothing worked and the artist kept going anyway. It’s not about perfection but presence.
In contrast, a painting that has been neatly planned, sketched in precise detail and then simply filled in, while technically proficient and perhaps visually pleasing, does not carry that same embedded story. Both are paintings, of course, but only one is truly inhabited. Only one holds the echoes of time spent wrestling with the image, pushing it into being. That one holds a history, not just of what was painted, but of how it came to exist, and that history breathes quietly beneath the surface for those who know how to look.
The Christopher Mudgett archive collection is the only one in the world to present the artist’s up-to-date painted, sculpted, engraved and illustrated œuvre and a precise record—through sketches, studies, drafts, notebooks, photos, books, films and documents—of the creative process.

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