Give It Up


November 8, 2025


Every artist carries within them a quiet war, the one fought not on the canvas, but in the hours before and after it. The work calls, always, but so do a thousand smaller impulses that pull us elsewhere: the idle diversions, the noise of the world, the easy comforts that disguise themselves as harmless. They whisper, you can paint later, and slowly, almost imperceptibly, later becomes tomorrow, and tomorrow becomes a kind of forgetting. This is how distance grows between the artist and the work, not through a single act of neglect, but through a thousand tiny surrenders.

To give it up, truly give it up, is to begin the process of returning. It starts with honesty, an unflinching look at the ways you betray your own ambition. Where does your time go? Who drains your attention? What rituals have become cages disguised as rest? These questions sting, but they are necessary. They strip away illusion and expose the gap between who you are and who you mean to be. In that space, clarity takes root. You begin to see that your art does not require grand gestures of sacrifice, only consistency, a steady reorientation toward what matters most.

Letting go of distraction is not an act of denial; it is a reclamation. You are clearing the field for something greater to grow. The hours once lost to drift become fertile ground for intention. The energy once spent on avoidance transforms into momentum. Slowly, you begin to feel it, the pulse of your practice strengthening, the line between effort and meaning tightening into focus.

It will not happen overnight. The habits that erode your work have deep roots, and the process of pulling them out can feel like undoing part of yourself. But creation demands such reckonings. To give up what weakens you is not deprivation, it is devotion. It is the artist’s quiet oath to the work, to show up, unguarded and awake, ready to meet the day’s creation without apology. Because what you let go of does not define you. What you choose to keep, the discipline, the persistence, the hunger, that is where the art begins.

The Christopher Mudgett archive collection is the only one in the world to present the artist’s up-to-date painted, sculpted, engraved and illustrated œuvre and a precise record—through sketches, studies, drafts, notebooks, photos, books, films and documents—of the creative process.
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