Go All The Way
April 15, 2025
To make a masterful work of art, an artist must be willing to lose everything.
That’s not just poetic talk. It’s the truth, stripped bare. Because real art—the kind that stops time, moves people, and shifts something deep inside—is not born from comfort or caution. It demands risk. Vulnerability. The willingness to dive into the unknown with no promise of coming out the other side with anything but paint under your nails and fire in your heart.
Painting is not safe. It's not tidy. It’s a confrontation.
To pick up a brush is to say: I’m ready to face my fears. I’m ready to face myself.
And sometimes, what you meet on that canvas isn’t pretty. You confront your doubts, your ego, your insecurities. You fight the urge to play it safe, to make something "nice" or "sellable" or "technically correct." And you wrestle with the haunting question: What if this doesn’t work out?
But here's the thing: That possibility—that it might fall apart, that you might fail—that’s where the magic lives. Because the moment you let go of needing it to succeed is the moment the work becomes honest. Unfiltered. Real.
To paint courageously means being enthralled by the process itself. It’s about chasing the energy of an idea, pushing it further than you ever thought possible. Letting it lead you into unfamiliar territory. Letting it change you.
The truth? Some paintings won’t work. Some will collapse in the middle. Some will leave you feeling wrecked.
But if you never risk ruin, you’ll never touch genius.
Art is not for the faint-hearted. It's for the ones who are willing to lose everything—time, sleep, certainty, control—in pursuit of something more. Something deeper. Something transcendent.
So go all the way.
Throw yourself in.
Let it consume you.
And maybe—just maybe—you’ll come out the other side holding a piece of something timeless.
The Christopher Mudgett archive collection is the only one in the world to present the artist’s up-to-date painted, sculpted, engraved and illustrated œuvre and a precise record—through sketches, studies, drafts, notebooks, photos, books, films and documents—of the creative process.

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