Imaginary Reality
November 16, 2025
Imaginary reality drifts like a soft mirage at the edge of the contemporary artist’s vision, a place where the rules of the physical world dissolve into a warm, luminous haze. What once began as a cautious departure from realism at the turn of the twentieth century has, in our time, become a full-fledged migration into territories unbound by physics, logic, or shared experience.
The canvas is no longer expected to mirror the world outside the studio window; it instead becomes a passage into the private weather of the artist’s mind, a place where gravity slackens, colors breathe, and forms slip effortlessly between the familiar and the impossible. In this realm, the imagination is not merely a tool but a sovereign landscape, expanding in any direction it pleases, unconcerned with the straight lines of the visible world.
Art lovers lean in, drawn not by fidelity to what is real but by the thrill of witnessing a reality that could never exist without the peculiar alchemy of an artist’s inner life. And the stranger the style, the more improbable the subject, the greater the pull, because it is precisely within these departures from expectation that contemporary art finds its pulse.
The more wildly a work rewrites the world, the more it frees us from our own assumptions, reminding us that creativity is most powerful when it slips its earthly tether and floats, dreamlike, into territory known only to the boldest imaginations.
The Christopher Mudgett archive collection is the only one in the world to present the artist’s up-to-date painted, sculpted, engraved and illustrated œuvre and a precise record—through sketches, studies, drafts, notebooks, photos, books, films and documents—of the creative process.

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