One Day or Day One
September 27, 2025
It’s such a small shift in language, but it changes everything. One day is a vague promise you make to yourself in passing, a soft wish folded into the corners of your mind, easily deferred, easily ignored. But day one is something else. It’s a beginning. A declaration. It carries weight. It says, I’m ready, even if I don’t feel ready.
For anyone who’s ever felt the pull to paint, to create, to finally claim the title of artist, not in some distant, more convenient future, but now, this is the moment that asks: why wait? You could wait, of course. You could keep telling yourself the story that you’ll start when things settle, when your studio is set up just right, when the time appears, the doubt lifts, the courage arrives fully formed. But waiting is its own kind of habit. It teaches you to postpone your life. And art, in all its raw, unpolished beauty, doesn’t thrive in delay. It thrives in motion.
The truth is, the path of the painter doesn’t start with mastery. It starts with the first mark. A sketch. A mess. A canvas stretched not because you knew exactly what to do with it, but because you were willing to find out. No one arrives fully confident. No one begins without the shadow of uncertainty. But that’s the nature of any creative pursuit, it asks you to step in before you know the way. You figure it out with your hands in the paint, not by standing outside the work and waiting for clarity to arrive.
If you choose today as your day one, you’re not committing to perfection. You’re committing to progress. You’re saying yes to the long, unfolding rhythm of practice. Some days will feel light and full of possibility. Others will be clumsy, tangled, uncertain. But the painter you hope to become can only emerge through the act of painting. The confidence you’re looking for will not show up ahead of time. It’s built brushstroke by brushstroke, canvas by canvas, day after day of simply showing up.
And that’s where the shift happens. The more days you string together, the more solid the foundation becomes. It’s not about chasing a perfect painting. It’s about building a body of work that holds your growth. A quiet strength starts to form, one that comes from having honored your desire to begin, and having followed it through the discomfort. Eventually, painting becomes part of your language, your rhythm, your way of seeing the world. Not because you waited for permission, but because you started before you had it.
So if there’s a whisper in you saying one day, listen closely. Ask it why not now. Ask it what would really be different if you picked up the brush today, even just for ten minutes. Even just to see what might happen. Let today be your day one. The beginning won’t be perfect, it never is, but it will be yours. And that’s what makes it powerful.
The Christopher Mudgett archive collection is the only one in the world to present the artist’s up-to-date painted, sculpted, engraved and illustrated œuvre and a precise record—through sketches, studies, drafts, notebooks, photos, books, films and documents—of the creative process.

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