Risk Required
July 15, 2025
Creating art is not just a matter of talent or technique, it is an act of profound courage. Every brushstroke, every line, every concept dragged out of the inner sanctum of the soul and into the world carries with it a risk, and that risk is not optional. It is required. Artists don’t get to tiptoe around vulnerability; they must walk straight into it, fully exposed, over and over again. To make work that matters, work that moves people, that shifts perceptions, that makes a mark, it’s not enough to be skilled. You have to be willing to risk everything: your ego, your reputation, your comfort. You have to be ready to create something that could fall completely flat, something that might be misunderstood, criticized, or even ignored entirely.
But that’s where the magic lives. The most compelling art is born in that uncomfortable place just beyond what feels safe. That space where doubt nags and fear whispers is the same place where real breakthroughs happen. When an artist dares to reach beyond their known limits, when they stop trying to make something “good” or “perfect” and instead make something honest, something that matters to them deeply and personally, then they begin to create art that resonates. And that resonance is the reward. It’s the connection, the dialogue, the impact. But it only arrives because the artist first took the leap.
Risk is not just a part of the artistic process; it is the process. Each piece is a gamble, and that’s what makes it matter. Playing it safe, making what’s expected, sticking to the formula that got applause last time, these are all roads to nowhere. Art without risk is decorative. Art with risk is transformative. To remain on the sidelines of your own creative potential, afraid to show too much or stretch too far, is to ensure that your work remains invisible in the sea of safe, forgettable noise. It’s only when you push past the fear of judgement, past the desire for approval, and into the terrifying, exhilarating territory of truth-telling that your voice starts to emerge fully formed.
And it never gets easier. That’s part of the deal. Every new work demands the same level of vulnerability, the same willingness to throw everything you’ve got onto the table and accept that it might still not land. But with that risk comes momentum. Growth. Evolution. The best work doesn’t come from control, it comes from surrendering to the unknown. And the more you lean into that uncertainty, the more fluent you become in your own language as an artist.
So if you’re not scared by your own work, if you’re not feeling exposed by what you’re putting out there, you’re probably not reaching far enough. The artist who refuses risk is the artist who stalls, who plateaus, who disappears. But the artist who stands trembling in the spotlight of their own truth, daring to show the world something raw and real, that’s the artist who leaves a mark. Risk isn’t optional. It’s the fuel. Without it, there is no fire.
The Christopher Mudgett archive collection is the only one in the world to present the artist’s up-to-date painted, sculpted, engraved and illustrated œuvre and a precise record—through sketches, studies, drafts, notebooks, photos, books, films and documents—of the creative process.

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